Digital Camera Reviews

Cyber-shot DSC-H10 budget megazoom camera, Sony didn’t change much from its predecessor, the Cyber-shot DSC-H3. Only its 230,000-pixel 3-inch LCD is new, compared with the 115,000-pixel, 2.5-inch version on the H3. Given the lack of an electronic viewfinder, that’s a nontrivial enhancement, but pretty much the only one.
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Panasonic announce a new addition to the Lumix family of high-performance digital cameras. The new Lumix DMC-FX100 combines 1/1.72-inch large 12.2-megapixel image recording with a superb, 28mm wide-angle Leica DC lens that features a 3.6x optical zoom (equivalent to 28-100mm on a 35mm film camera) and f/2.8 brightness. This Leica DC lens has been newly developed specifically for the Lumix FX100, whose 12.2-megapixel recording gives users the creative power to capture stunningly true-to-life high-resolution images with extraordinary resolution, detail and clarity. Panasonic managed to pack the advanced 28mm wide-angle lens and large CCD into a sleek, slim body.
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Panasonic’s Lumix DMC-FZ18 is a powerful “ultra-zoom” models that includes some very high- end features in a compact, stylish, and easy to use package. It combines an 8-megapixel image sensor, mated to a very versatile 18x optical zoom lens as well as Panasonic’s new Intelligent Auto mode, WVGA (848 x 480, 30fps) widescreen movie mode, and not to mention their ever popular MEGA O.I.S.(Optical Image Stabilizer) system. The newly developed 28mm wide angle 18x optical zoom lens in the DMC-FZ18 boasts notable optical performance and compactness, to open the door for the new world of expression that has ever been thought impossible with a single compact camera.
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The Olympus E-510 is a feature-packed 10 Megapixel DSLR based on the maturing Four Thirds standard. Announced alongside the tiny E-410 in March 2007, the new E-510 packs in a raft of features which include anti-dust, Live View, and built-in anti-shake facilities which work with any lens you attach; indeed it’s the very first Four Thirds DSLR to feature built-in stabilisation. It’s a powerful feature-set, and priced competitively against rival 10 Megapixel DSLRs.
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Pixel count isn’t everything. While a 12-megapixel picture can potentially hold more details than an 8- or 10-megapixel picture, that doesn’t mean it always will. As you try to cram more and more pixels onto a small sensor, problems like noise tend to overtake the picture. Conversely, if you put fewer pixels on a large sensor, like the 6-megapixel Canon Rebel XT digital SLR, photos tend to come out looking much better even at the lower resolution. The Olympus FE-300 distinguishes itself as one of the lightest, least-expensive 12-megapixel cameras currently available. Unfortunately, its pictures pale in comparison to those from some higher-end, lower-resolution cameras. [Read the rest of this entry…]

Olympus continues the Stylus line of digital cameras with the Stylus 820, an attractive 8-megapixel digital camera. This new model sports a 5x lens, a large, bright LCD screen, and a surprisingly useful new feature Olympus is debuting with its current generation of cameras.As we’ve come to expect from Olympus’ Stylus cameras, the Stylus 820 looks and feels good. The slim, all-metal camera weighs just 4.9 ounces with battery and xD card and measures less than an inch deep. Olympus offers the little camera in four colors: silver, black, blue, and red. Its sturdy body handles splashes and showers with ease, but don’t confuse weather-resistant for weatherproof; it won’t survive a full dunking. If you plan to soak your camera, consider instead the waterproof, shockproof, freezeproof Stylus 790 SW.
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Olympus’ Stylus 790 SW, like the Stylus 770 SW before it, is tough enough to shoot in 10 feet of water or when it’s 14 degrees Fahrenheit. Plus, it can withstand drops of up to 5 feet, so if you’re klutzy, you won’t have to worry quite as much. If you swim deeper than most, the 770 SW might be better for you than this model, since it can operate down to about 33 feet. Other than that, a slightly different body design, and a new feature or two in the 790 SW, the two cameras are basically the same.
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Canon today announces the launch of the 12x optical zoom, 8.0 Megapixel PowerShot S5 IS. The new compact inherits optical Image Stabilizer (IS) technology, professional-grade optics and extensive movie functions while introducing a host of new features designed to increase the photographer’s success rate.
Powered by Canon’s DIGIC III image processor, Face Detection Technology improves focus, exposure and flash output for people shots while the new Red-Eye Correction feature effectively solves red-eye problems in captured photos. An increased sensitivity range of ISO 80-1600 complements the optical IS system for extended low light performance.
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Canon today launches its new flagship compact for advanced photographers – the 12.1 Megapixel PowerShot G9. The successor to the PowerShot G7 – recently named EISA European Advanced Compact Camera 2007-2008 – the PowerShot G9 incorporates improvements driven by market feedback with a range of user-oriented enhancements, including RAW image capture* and a redesigned grip and thumb rest for improved handling. Other advancements include a high resolution 3.0” PureColor LCD II, enhanced Face Detection Technology and Red-Eye Correction in playback². A wide range of accessories – including optional lenses and Speedlite flash units – now also features Canon’s Speedlite ST-E2 wireless flash transmitter.
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The Canon Powershot SD1100 IS (IXUS 80 IS in Europe) is as fresh off the Canon engineers’ drawing boards as it can get. It was announced only a few weeks ago for the PMA trade show in Las Vegas and already has made its way into the basement vault which accommodates the dpreview labs.
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